![]() For example, let's say I want a large pitch band range for one instrument (lead uses an octave) and a smaller range for another one (bass uses two semitones). the pitchbend knob on a midi keyboard), the range of this physical knob is controlled via some setting in LMMS' midi options (or maybe the instrument midi tab, but this is really a property that ought to be associated with the keyboard device, not the I think it should rather be a property of the synth. ![]() The automation editor might have to change to adapt to unbounded parameters, but that's doable.įor when you're actually using a knob with physical limits to control pitch (i.e. Beyond that, one would have to determine the octave by using the tooltip). black for octave 0, yellow for octave +1, orange for +2, green for -1, blue for -2, etc. Each full revolution corresponds to +/- 1 octave, and some color element on the knob can reflect which octave you are on (e.g. But the knob has no limits - you can turn it a full revolution, two revolutions, etc, and keep going. That has always seemed convoluted to me.Ĭonsider this: We make it so that there is only the pitch knob and no pitch range in the instrument controls. Late to the conversation, but I would expect that there's got to be a better way of manipulated pitch than via two separate pitch + pitch range knobs embedded in the instrument controls.
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